Showing posts with label English. Show all posts
Showing posts with label English. Show all posts

Saturday, February 21, 2009

HANDBOOK FOR BLOGGERS AND CYBER-DISSIDENTS

HANDBOOK FOR BLOGGERS AND CYBER-DISSIDENTS

ISBN : 2-915536-36-8
© 2005 Reporters W ithout Borders
SEPTEMBER 2005


excerpt: Introduction

BLOGGERS, THE NEW HERALDS OF FREE EXPRESSION

By Julien Pain

Blogs get people excited. Or else they disturb and worry them. Some people distrust them. Others see them as the vanguard of a new information revolution. One thing’s for sure: they’re rocking the foundations of the media in countries as different as the United St ates, China and Iran.

It’s too soon to really know what to think of blogs. W e’ve been reading newspapers, watching T V and listening to the radio for decades now and we’ve learned how to immediately tell what’s news and what’s comment, to distinguish a t abloid “human interest” magazine from a serious one and an entert ainment programme from a documentary.

We don’t have such antennae to figure out blogs. these “ online diaries” are even more var ied than the mainstream media and it’s hard to know which of them is a news site, which a personal forum or one that does serious investigation or one that’s presenting junk ev i dence. It’s difficult to separate the wheat from the chaff.

Some bloggers will gradually develop their own ethical st andards, to become more credib l e and win public confidence. But the Internet is still full of unreliable information and people exchang ing insults. A blog gives ever yone, regardless of education or technical skill, the chance to publish material. This means boring or disgusting blogs will spring up as fast as good and interesting ones.

But blogging is a powerful tool of freedom of expression that has enthused millions of ordinary people. P assive consumers of information have become energetic participants in a new kind of journalism – what Us blog pioneer Dan Gillmor calls “ grassroots journalism … by the people, for the people” (see chapter on “What ethics should bloggers have?”).

Bloggers are often the only real journalists in countries where the mainstream media is cen sored or under pressure. Only they provide independent news, at the risk of displeasing the gov ernment and sometimes courting arrest. Plenty of bloggers have been hounded or thrown in prison. One of the contributors to this handbook, Arash Sigarchi, was sentenced to 14 years in jail for posting several messages online that criticised the Iranian reg ime. His story illustrates how some bloggers see what they do as a duty and a necessity, not just a hobby. they feel they are the eyes and ears of thousands of other Internet users.

Bloggers need to be anonymous when they are putting out information that risks their safety. the cyber-police are watching and have become expert at tracking down “trouble-makers. ” This handbook gives advice on how to post material without revealing who you are (“How to blog anonymously,” by Ethan Zuckerman). It’s best of course to have the technical skills to be anonymous online, but following a few simple rules can sometimes do the trick. This advice is of course not for those (terrorists, racketeers or pedophiles) who use the Internet to commit crimes. the handbook is simply to help bloggers encountering opposition because of what they write to maint ain their freedom of expression.

However, the main problem for a blogger, even under a repressive reg ime, isn’t security. It’s about getting the blog known, finding an audience. A blog without any readers won’t worry the powers-that-be, but what’s the point of it? This handbook makes technical sug gestions to make sure a blog gets picked up by the major search-eng ines (the article by Olivier Andrieu), and g i ves some more “journalistic” tips about this (“What really makes a blog shine,” by Mark Glaser).

Some bloggers face the problem of filtering. Most authoritarian regimes now have the technical means to censor the Inter net. In Cuba or V ietnam, you won’t be able to access websites that criticise the government or expose corruption or t alk about human rights abuses. So-called “illegal” and “ subversive” content is automatically blocked by filters. But all bloggers need free access to all sites and to the blogosphere or the content of their blogs will become irrelevant.

The second part of the handbook is about ways to get round filtering (“Choosing circum vention,” by Nart V illeneuve). With a bit of common-sense, perseverance and especially by picking the right tool s, any blogger should be able to overcome censorship. the handbook has technical advice and tips about how to set up a good blog. But a suc cessful one is harder to ensure. T o st and out in the crowd, you must be orig inal and post news or opinions neglected by the mainstream media. In some countries, bloggers are mainly worried about st aying out of jail. In others, they try to est ablish their credibility as a source of reliable information. Not all bloggers have the same problems, but all of them, in their different ways, are on the frontline in the fight for freedom of expression.


===Julien Pain is head of the Internet Freedom desk at Reporters Without Borders.=====

Sunday, February 15, 2009

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Sunday, February 1, 2009

Get to the Top on Google

Get to the Top on Google
Tips and techniques to get your site to the top of the search engine rankings and stay there
David Viney
ISBN: 978-1-85788-502-6
First published by
Nicholas Brealey Publishing in 2008

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excerpt: Foreword
Search engine optimization (or SEO for short) is the art of getting your website to the top of the search rankings. Why would you want to get to the top on Google? Well, here is my elevator pitch for why SEO (and this book) could be the best investment you ever make in your website and your business:

  • Search engines are the way in which 90% of people locate the internet resources they need and Google has a 75% market share in Europe and North America. The Google brand is now rated as the most powerful in the world and, within three years, the company is expected to be the largest advertiser (by revenue) in the world. My approach focuses on Google because it’s the most important, but
    includes tips on other search engines where relevant.
  • 84% of searchers never make it past the bottom of page two of Google and 65% of people never click on paid (or “sponsored”) results. Being at the top of the nonpaid (or “organic”) search results is a make-or-break mission for the modern business in a world ever more dominated by the internet.
  • Around 15% of all sales in the British economy are now completed online, and price comparison service uSwitch predicts that internet sales will make up 40% of all purchases by the year 2020. The numbers are similar in all the developed countries of the word, including the United States.
  • In this book I share with you my seven-step approach to search engine optimization and website promotion. This proven methodology is the very same process I use with all my clients (large or small, ranging from Amazon and Microsoft to the smallest high-street store) and contains all the tips and tricks
    you need to achieve top rankings. The rest is down to you: your effort, vigilance, and determination.
  • Whether you have a new website or a long-established internet presence, here will be much in this book to challenge your thinking: not just how to promote your business but the very nature of your proposition online. The book is designed to be accessible for the beginner but comprehensive enough for the skilled marketer. You will be guided but not patronized.
  • Throughout the book I use a case study to illustrate the seven steps. This helps you check your understanding and more readily apply the techniques to your own business. I also throw in six months of free membership to my SEO Expert Forum, so you can ask me questions and get direct help if you are struggling.
  • I have set out to write the most complete and up-to-date guide to SEO on the market today. Unlike other, earlier books on the subject, this guide covers the emerging fields of Web 2.0 optimization, local search optimization, and the future of search itself (including emerging competitors to Google and alternative search models). ...

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Sunday, December 28, 2008

Beyond the Shadows (Book 3 of the Night Angel Trilogy)

Beyond the Shadows by Brent Weeks



December 2008, Orbit Books
ISBN 0-316-0336-5
http://www.thewayofshadows.com

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Logan Gyre is king of Cenaria, a country under siege, with a threadbare army and little hope. He has one chance - a desperate gamble, but one that could destroy his kingdom.
In the north, the new Godking has a plan. If it comes to fruition, no one will have the power to stop him.
Kylar Stern has no choice. To save his friends-and perhaps his enemies-he must accomplish the impossible: assassinate a goddess. Beyond the Shadows is the action-packed conclusion to the Night Angel Trilogy.


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Early Reviews up for Beyond the Shadows (Book 3 of the Night Angel Trilogy)!

Un:Bound says, “I love these books, beautifully written, entertaining and leaving me with a sense of satisfaction at the conclusion, they deliver everything I could ask for…”
Fantasy Books News and Reviews confesses to being “very impressed… I honestly can’t think of one bad thing to say.”
The Beezer Review calls it “a fantastic read… one of the best trilogies I have read in a very long time. Mr. Weeks has not only made his mark on the fantasy genre, he has kicked in the doors and announced he is here to stay.”
Books Monthly selects Beyond the Shadows as its Books Monthly Choice for December, declaring it the “Best fantasy of the year, possibly the decade.”


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Shadow’s Edge (Book 2 of the Night Angel Trilogy)

Shadow's Edge by Brent Weeks



November 2008, Orbit Books
ISBN 0-316-0336-5
636 Pages
http://www.thewayofshadows.com


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BrentWeeks’ Night Angel Trilogy continues in Shadows Edge, with Kylar attempting to reject who he is and what he is. Although the first installment (The Way of Shadows) had some closure, hints were left that Kylar’s story was far from over. Weeks plays on those hints, and continues to explore many of the themes he ignited in the first volume.

Beware of possible spoilersfor the first in the trilogy because it is quite difficult to discuss the second with out revealing some elements of the first.

Kylar’s life was pretty much settled at the end of The Way of Shadows, or so he thought. His life of killing behind him, he is settling down with his love Elene and his master’s daughter Uly. At first, I got the sense that this was a cobbled together family for Kylar, but I soon realized that was just the effect Weeks was attempting to convey. As time passed for Kylar, he found it more difficult to completely cut himself of from his former ways. He would hop along rooftops at night just to keep his skills intact (which at times reminded me of Batman or Spider-Man), but he inevitably came across people in trouble. He can’t help but save the day, his persona as the Night Angel can’t be shunned forever.

In his attempt to further shed the skin of killer, Kylar sells the sword that is his symbol as the Night Angel after much deliberation (and encouragement) from Elene. Of course, as soon as Kylar gives up this last symbolic element of his past is when his past comes back looking for some help. It turns out events he thought to have transpired in The Way of Shadows turned out differently.

Much of Shadow’s Edge concerns itself with Kylar's identity -  finding who he really is after he thought he got what he wanted. He yearns for a life of normalcy with Elene, the woman he loves. He hates the killer/assassin aspect of himself but can’t fight it either. His conflict spills over quite a bit of the novel and he vacillates between fighting his instincts and being the good man he thinks Elene wants. Of course, Elene doesn’t help matters. Their relationship was a frustrating aspect of the novel only in that Elene came across as a two-dimensional nag for a good portion of the novel. She and Kylar shared the same bed, but never really in the carnal sense. Their thoughts about consummating their love for each other was often at odds. Elene wanted to wait until they were married, but when she was finally ready to share the experience with Kylar, he felt unworthy of it and went on one of his nightly patrols.

When Kylar’s past comes knocking, though in the form of his old friend Jarl, Kylar doesn’t immediately jump at the opportunity to leave his life of peace. Here again, Weeks shows the conflict Kylar is experience between who and what he thinks he should be and what he actually is. Weeks comes just short of brow-beating us with some of these expository scenes. Momma K. comes back into the fold and it is a welcome return throughout the novel. Wetboys, who were on the periphery in the first volume, also play a more prominent role here.

So how does Shadows Edge fare as the second book of a trilogy? The story in it can be seen as another episode of Kylar’s life, but it also serves to propel the greater story arc of the trilogy. One might be able to pick up this one without having read the first, but it really works better as the second installment of the trilogy. Weeks’ story is still as compelling, Kylar is still an interesting a character and I thought the tonal shift from becoming something in the first installment to questioning who he’s become was natural and played out well. The only criticism I can level at Shadows Edge is Elene – as I said, she comes across as more of set dressing – and annoying set dressing at that – than a fully realized character in her own. That criticism aside, though, I enjoyed the novel and was compelled to stay up later than normal to finish reading the book. Weeks is continuing to tell a thoroughly entertaining tale in the Night Angel Trilogy. Bring on Beyond the Shadows!

© 2008 Rob H. Bedford

 


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Other Reviews for Shadow’s Edge (Book 2 of the Night Angel Trilogy)

RisingShadow.net says, “I wait in agonizing pain for the next book. And I do not regret it.”

Un:Bound says, “Weeks has shown that the first book was not a fluke, he really is that good.”

The Beezer Review says, “Mr. Weeks is two for two… This book, and series, gives me renewed hope that the fantasy genre still has new and fresh ideas to offer its readers.”

Fantasy Book News and Reviews says, “Kylar is just a flat out great character to spend time with…. [Brent Weeks] is now in my ‘buy upon release’ category.”

Wannabe Writer says, “A fantastic sequel, just as gripping as its predecessor….Now I understand why these are being published in such quick succession–anything else would be cruel.”

Blood of the Muse says, “Fast-paced and hugely entertaining, Shadow’s Edge just may have one of the best endings ever for a middle book in a trilogy. There’s no sophomore slump here. It’s a good thing that the third book Beyond the Shadows is being released in December, because I’d probably start a riot if I had to wait a year for the next one…”

The Road Not Taken says, “Having just completed Shadow’s Edge by Brent Weeks, I feel as though I have been sprinting through a maze, and each time I thought I had it figured out it became another series of twists, turns, or dead ends. I’m still breathless.” And notes the depth of the characters: ”these are not just your average class of nobles, assassins, and prostitutes–they are all so human it is heartbreaking.”

The Bookbag objects strenuously to the phrase “trying to be cute” but still says, “the magic is inventive, the evil is, occasionally, genuinely terrifying, the monsters are horrendous, obscene and tragic, the artefacts intriguing, the overarching moral dilemma and conflicts between private happiness and public duty, between piously high moral sentiments and cruel realities of the world, valid and genuine. There were also moments of epic grandeur and real pathos, moving heroism and a good final twist.”

 


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Saturday, December 27, 2008

Night Angel Trilogy: The Way of Shadows

The Way of Shadows by Brent Weeks


(2008-11-03)
October 2008, Orbit Books
ISBN 0-316-0337-7
688 Pages
http://www.thewayofshadows.com

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Brent Weeks bursts onto the fantasy scene with his debut novel, The Way of Shadows, the first volume in his Night Angeltrilogy. The story, on the surface, is a fairly typical assassin-with-heart-of-gold bildungsroman. Weeks’s plotting,chararacter development and overall stortytelling ability help to make the novel rise above those somewhat clichéd trappings into animpressive debut novel.
Young Azoth is a street urchin in an unstable gang looking for a way out. He is constantly beaten, shamed and only caresfor two other people in the group – Jarl and Doll Girl. At this stage in his life, his tormenter is the sadistic Rat who beats everyonesmaller than himself. Azoth sees a way out though, if he can apprentice to the legendary assassin Durzo Blint, then surely Azoth can make abetter life for himself. Of course the story wouldn’t really go anywhere if Azoth didn’t apprentice to Blint, but Weeks plays outAzoth’s struggles engagingly well. The first quarter to fifth of the novel deals with Azoth on the streets and coming to be Blint’sapprentice. Once Azoth becomes Durzo’s apprentice in full he assumes the name Kylar Stern, both becoming who he feels he is meant to be andcasting aside all ties to his former life.
Even though Azoth/Kylar has the desire to become a killer for hire, or a wetboy as they are called in Weeks’s harsh world, he is not a morallyunlikeable character. Much of the same can be said for his mentor Durzo Blint, but again, Weeks does a good job of both working within thecliché of the cranky mentor and making Blint stand on his own. Weeks surrounds Blint with an air of mystery not unlike Chains from ScottLynch’s The Lies of Locke Lamora or Chade from Robin Hobb’s Farseersaga. Indeed, the relationship between Kylar and Durzo is very reminiscent of the relationship between Fitzchivalry Farseer and Chadethroughout her excellent Farseer saga. This isn’t a groundbreaking revelation by any means because I suspect Hobb and Weeks(and Lynch to another level) are mining some of the same sources. Weeks does an admirable job of making this relationship and these characterswork on their own merits within his saga.
Weeks’s story follows the growth and maturation of another staple character of the genre – the young regent. In this case,Logan Gyre is the young prince who is ‘destined’ to grow into the noble ruler. I though Weeks’s characterization of Logan was just as even asit was with Blint and Azoth/Kylar. Kylar and Logan, on the surface, are polar opposites. Where Kylar grew up on the worst of streets, Logan wasgifted with a royal lineage. Where Logan is large and blunt, Kylar is smaller and less obvious.
The Way of Shadows is a big fat novel and I mean that in all good connotations of thoseterms. The world Weeks depicts in this novel is harsh: the protagonist is a killer-for-hire as is his mentor, his best friend is a maleprostitute who serves both men and women, one Durzo’s closest companions, the enigmatic Momma K., is the head of a brothel, and waysof killing are spoken of very matter-of-factly. In addition, The Way of Shadow contains manyof the elements of a solid fantasy novel: magic, murder, an über-powerful enemy pulling the strings, a nigh-omnipotent enchantedsword, and a chivalrous knight. By no means; however, is this simply a paint-by-numbers novel. In many ways, I would liken Weeks’s approach tosome of the new fantasy authors who are embracing these standard elements of the genre and spinning them out with an entertaining voiceof their own. I’m thinking of writers like the aforementioned Scott Lynch, as well as Patrick Rothfuss, Joe Abercrombie, and BrandonSanderson. In other words, if somebody were to ask me for a recommendation on a well-written, high fantasy that exemplified theexpected elements of the genre, I’d pass them a copy of The Way of Shadows.
Granted, the novel is a debut and isn’t without its flaws however minor they are. At times, the characters tend to speakanachronistically. That is, some of their phrasing and objects to which they refer seem out of synch with the implied technological level andsocietal advancement. Some of the names struck me as less than original. I doubt Weeks was aware of Joe Abercrombie’s novels whichalso feature a character by the name of Logen when he was writing The Night Angel trilogy.However, the name Logan is already very popular as the comic book character Wolverine. That said, Brent Weeks is off to a solid career asa fantasy novelist with The Way of Shadows, the most impressive debut novel I’ve read this year.
© 2008 Rob H. Bedford

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Other Reviews for The Way of Shadows (Book 1 of the Night Angel Trilogy)

RisingShadow.net says, “For those who love assassins, corrupted power figures, twisted politics, and disturbing magic, this is the book of all books.”
Sci-Fi Fan Letter says, The Way of Shadows is the kind of book “you can’t put down even though you have to eat, sleep or work.”
Books Monthly calls it “an extraordinary debut…an astoundingly good fantasy world.”
Un:Bound says, “Weeks really has a knack for creating complex, realistic, and very human characters… Intrigue and tension pull you through to the next page, and for the first time in years I actually flicked a few pages ahead to see if someone was really dead…. a delight…”
Harriet Klausner, extraordinary #1 reviewer for Amazon.com, gives 5 out of 5 stars, noting the “shadowy twists that feel genuine and quite exciting… Especially fascinating are the poetic legendary assassin [Durzo] and his new apprentice [Azoth]“.
Wannabe Writer says, “I was soon hooked. It’s exciting, full of action but interesting characters too, the world is wonderfully realised, the use of magic imaginative, the fight scenes thrilling…”
Sffworld.com calls it “an impressive debut…if someone were to ask me for a recommendation on a well-written, high fantasy that exemplified the expected elements of the genre, I’d pass them a copy of The Way of Shadows.”
Graeme’s Fantasy Book Review says, Brent Weeks infuses the book “with energy and intrigue while giving us plenty of opportunity to get to know both the city and the people who live there…. Anything can happen and you’ll find yourself constantly surprised when it does.”
BookspotCentral.com says, “it made me turn off television, it made me skip dessert, it even made me skip a shower once…unless something extraordinary happens in the next month or two, this is going to be my book of the year for 2008.”
Memoirs of a Rabbid Hotdog says, it “kept me glued to my chair for the duration of the book.”
Fantasy Book Critic says, “so engrossing that after I stayed up late to finish it, I stayed up late again to reread the book!” It is “a superb epic fantasy that will absorb you from start to finish…Highly, highly recommended.”
The Literary Cat says, “With liberal doses of magic, politics, and warfare, the six hundred-odd pages really will fly by.”
Fantasy Cafe says, [minor SPOILERS in linked article.] “The Way of Shadows is a fast-paced, entertaining read that is difficult to put down.” She also really liked the term wetboys: “It sounds like they should be the guys that fetch water for all the important people…” So picturing Adam Sandler as Durzo Blint could be problematic.
Blood of the Muse says, “Overloaded with fun, The Way of Shadowsis an absolute joy. Filled with a pantheon of unforgettable and epic characters and an intense, high-octane and twisting plot, the book has me eagerly anticipating the sequel Shadow’s Edge.
The Bookbag calls it "a captivating page-turner that verges on the unputdownable.”
Fantasy Book News and Reviews says, “this book might take my label of best book of the year…”
Grasping for the Wind remarks on “a depth of character [epic fantasies] often lack….Yet it never bogs down for lack of action, or suspense.”
The Civilian Reader says, “Solid, extremely well written, and deftly plotted…”
The Fantasy and Sci-Fi Lovin’ Book Review says, “The Way of Shadows” is a pretty big book, 688 pages, but it reads really fast… hard to put down”
Pat’s Fantasy Hotlist: “I believe that The Way of Shadows and its sequels…will sell extremely well, regardless of the fact that it will likely not be held in high esteem by the SFF fandom’s ‘in crowd.’”
Having invoked “gritty” YA lit, and SFF fandom’s “in crowd,” Pat’s review provoked a rebuttal. And some discussion of what is and is not Young Adult fiction. I swear I don’t pay people for these.

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Friday, December 19, 2008

SEXUAL TEENS, SEXUAL MEDIA

SEXUAL TEENS, SEXUAL MEDIA
Investigating Media’s Influence on Adolescent Sexuality


Edited by
Jane D. Brown
University of North Carolina–Chapel Hill
Jeanne R. Steele
University of St. Thomas
Kim Walsh-Childers
University of Florida


308 p + xiv
LAWRENCE ERLBAUM ASSOCIATES, PUBLISHERS
Mahwah, New Jersey London
2002

excerpt
PREFACE

Young people today are faced with often conflicting and confusing messages about how they are supposed to behave sexually. Adults and socializing institutions in the culture are not in agreement about when, what, or where youth should learn about sexuality. Although we might hope that parents would be the primary source of sexual guidance for their children, parents often find it difficult to present timely and clear expectations, or even accurate information. Manyparents want schools to provide sexuality education, but schools are increasingly reluctant to do more than say “Wait until marriage.” And many religious institutions still maintain that sex outside heterosexual marriage is a sin. In contrast, the mass media —television, movies, magazines, music, the Internet— are not at all reticent, frequently portraying sexual behavior as riveting, central in everyday life, and emotionally and physically risk free.

Many adults haven’t liked what they’ve seen about sex in the media, but they don’t agree about what should be done about it, either. Religious leaders, parents, and some politicians, claiming that the media encourage youth to be sexually active before they are ready and without the sanction of marriage, want the media to clean up their acts. Health advocates argue that if we’re going to have sex in the media, at the least we should show the risks and responsibilities too. Politicians threaten further regulation if program ratings and content blocking devices such as the V-chip aren’t sufficient. But media producers say, “Leave us alone; we’re exercising our constitutional rights.” Advertising executives believe that sex sells and don’t want to give up their potential advantage in a highly competitive marketplace.

Remarkably, despite the consternation in many quarters, relatively little scientific research exists on how sexual content in the media affects teens (Huston, Wartella, & Donnerstein, 1998). One reason is that many schools, the places where adolescents are easiest to find, are reluctant to let researchers in. Federal and state agencies have been leery, too, afraid that conservative legislators will cut off funding if they sponsor research that requires talking with youth about sex. As a consequence, nonprofit, non-governmental organizations have had to take on most of the work... .




Wednesday, November 12, 2008

For One More Day

Beautiful Book!!!!!!!

Mitch Albom pays homage to all mothers with this novel that beautifully shows the enduring power of a mother's love, a love so strong it can transcend even death. The moral of the story is not particularly original and not even handled in a unique way. But, grab the hankies and prepare to spend several hours reminiscing along with Chick Benetto about the things you wish you had done better with your own mother. Chick Benetto has hit rock bottom---divorced, alcoholic, has-been baseball player, and now comes the ultimate slap-in-the-face---his beloved daughter does not invite him to her wedding. After being shut out of the biggest day in his only child's life, Chick sees no point in continuing his miserable life and attempts suicide. But for his suicide he is drawn once again to Pepperville Beach, to the modest home where he grew up with his mom, dad, and sister. That is, until his dad deserted the family and life changed dramatically. The surprise for Chick is that his mom is still in the house. Intellectually, he knows she died ten years ago but here she is---cooking his food, sharing stories, giving advice.

The reader learns about all the times Chick's mom stood up for him and all the times he let her down. The writing is smooth and poignant, the memories both joyful and sad. If you have lost your own parents, the words will be doubly sad. But Chick has been given a very special gift: he learns that when someone is in your heart, they're never truly gone and they can come back to you, even at unlikely times. Chick has the unheard of luxury of being able to spend just one more day with his mother, having the chance to ask questions about things that have bothered him, finding out at last why his father left, and much more. How does it happen? Is this just another ghost story or a religious experience for non-believers? I think I shed the most tears when I realized at novel's end who was telling the story.

I think sentimental readers will find this one enjoyable and uplifting. So take it for what it is, a nostalgic trip back to childhood, that period of time that never lets you go, even when you're so wrecked it's hard to believe you ever were a child.
 
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Tuesday, November 11, 2008

Tuesdays With Morrie, by Mitch Albom

Book reviews: Tuesdays With Morrie, by Mitch Albom

by Joyce D. Sinclair

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The 1997 best-selling book Tuesdays with Morrie by Mitch Albom is the perfect weekend book. Semi-autobiographical in nature, Albom tells the story of his life after he happens to see a former professor of his from Brandeis University (Massachusetts) on Nightline with Ted Koppel. He finally summed up the courage to visit Morrie Schwartz at his home, after finding out that he was dying of ALS, otherwise known as Lou Gherig's disease.

Morrie offered Albom one final class, with him as the only student, and it met every Tuesday in Morrie's house. The requirements were to visit him, talk, listen, and write down everything he learned, thus culminating in this book. His conversations on life, religion, families, dealing with our pasts, making career choices, and deciding what's important in life touch everyone. There is not a single person who can't learn something or be touched by something in this book.

As Albom's visits with Morrie continue, the professor's health is deteriorating. Albom had made it a point to always bring food to his visits, but soon the professor was not able to eat solid foods any longer. Yet, he mustered up the energy for each lesson. It put things in perspective for Albom, whose life was at a crossroads.

For thirteen Tuesdays, there was a different lesson: The World, Feeling sorry for yourself, Regrets, Death, Family, Emotions, Fear of Aging, Money, How love goes on, Marriage, Our culture, Forgiveness and The Perfect Day. The fourteenth Tuesday was time to say goodbye to his dear teacher and mentor. By this time, Morrie was not doing well at all. A few days later, he slipped into a coma and died on Saturday. Even though Morrie Schwartz's body may have stopped living, his lessons are timeless. His love of education continued literally to the very end, concluding with his own graduation death.

This book should be sold with a box of Kleenexes. It reiterates that life is so fragile. Morrie has spoken on occasion of a pink hibiscus plant he has which represents the fragility of life. He also talks about reincarnation and the cyclical orbit of our life and our world, alluding to the idea that waves are not a singular body, but part of the larger whole of the ocean. It's philosophical, insightful and written in an easy-to-read prose that everyone can identify with.

Monday, November 10, 2008

Mitch Albom: The Five People You Meet in heaven

THE FIVE PEOPLE YOU MEET IN HEAVEN
Mitch Albom
Hyperion Press
Fiction
ISBN: 1401308589


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Definitely this is one of the most beatiful, well written book ever made. From Bookreporter.com, here's the review:


Eddie is a maintenance man who keeps the rides safe at the Ruby Pier amusement park. His 83rd birthday seems like any other day --- he inspects the rides, watches the people, makes pipe cleaner animals for the children. However on this day he dies unexpectedly, trying to rescue a young girl in harm's way.

Eddie wakes up in heaven --- but not to the "paradise garden, a place where (we) can float on clouds and laze in rivers and mountains," not the idyllic place that heaven has been described as throughout time. Eddie awakens to a series of introductions --- or reintroductions --- to five people whom he had met during his life, either in passing or at length. They each carry answers to the whys and hows of Eddie's life. With each meeting he relives in part that time of his life, but now the gaps are filled in. For maybe the first time he sees what REALLY happened. "There are five people you meet in heaven," the Blue Man, Eddie's first encounter, explains. "Each of us was in your life for a reason. You may not have known the reason at the time, and that is what heaven is for. For understanding your life on earth."

All five are of course deceased, and they all impart knowledge of Eddie's life and life in general. For instance, the Blue Man asks, "Why do people gather when others die," and his explanation is at the very core of the meaning of Albom's book: "It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed lives are changed." It is insights like these that leave the reader asking, "What does Mitch Albom know that we don't?"

What he knows is that we all seek answers. We look for meaning behind the experiences in our lives. More often than not, we never get the answers but we continue --- we plod on, happy or unhappy, fulfilled or unfulfilled, pain-free or in pain. We live. Albom doesn't pretend to offer us the answers, but he does offer us an almost Taoist interpretation of life. It is. It just is. The answers may never be revealed. And do they need to be?

THE FIVE PEOPLE YOU MEET IN HEAVEN is a beautiful story. Eddie is human and likable for his foibles, fears and faults. The writing is often lyrical and fable-like. And though the book is fiction, behind it lies Albom's lifelong love of his uncle, which lends a tenderness and intimacy to the tale on par with TUESDAYS WITH MORRIE. You'll want to share this with your friends, family, acquaintances, and even those nameless people you pass on the street who may have played a larger role in your life than you ever could have imagined.

   --- Reviewed by Roberta O'Hara

Wednesday, September 24, 2008

Brisingr

I believe many will agree if I say this book is not even close to reader's expectations. The most organised plot was only in chapters on dwarfs' clanmeet, which ended with the corronation of Orik as Hrothgar's successor, King of Dwarf clans.

However, I must admit that Paolini is better in expanding his characters and theris complex emotion.

Other than that, this most wanted book of the year is just another book. Oh dear, I pay Paolini will write the fourt book in this cycle (yes, it's no more trilogy) far mor better, and he will complete it soon... soon... in reasonable time to wait, not like this third book.

If you not agree with me, it's okay, but if you wonder why I am --a fan of this Inheritance trilogy, oops, cycle-- write this grim short comments, well, this is a download link I found for you who eager to read it: